בין תקופות
צילום אורבני טעון ואטמוספרי שמחבר בין גגות חשופים, חזיתות מודרניסטיות וקירות מסומני גרפיטי. ההדפס על נייר יוצר קומפוזיציה קולנועית עם מרחב פתוח, צללים עמוקים וגוני אפור קרים, ומעניק לנוף העירוני נוכחות שקטה, מהורהרת ועכשווית.
אייל ביטרמן
Eyal Bitterman (1975) Photography, for Eyal, is a way to pause, observe, and capture the meeting between light and shadow, between people and their surroundings, and between beauty and the cracks that life leaves behind. As an art director in film and television , this visual language accompanies him behind the camera as well, in search of the story hidden within each frame. Through photographs of people, street life, nature, and architecture, his goal is not to show the world as it appears, but to convey the emotions each moment evoked within him.
Eyal Bitterman (1975) Photography, for Eyal, is a way to pause, observe, and capture the meeting between light and shadow, between people and their surroundings, and between beauty and the cracks that life leaves behind. As an art director in film and television , this visual language accompanies him behind the camera as well, in search of the story hidden within each frame. Through photographs of people, street life, nature, and architecture, his goal is not to show the world as it appears, but to convey the emotions each moment evoked within him.
