Anorexia is no longer a part of me.
The artwork portrays a moment of parting from an identity that had been intertwined with the woman for many years. The figure is wrapped in chains, yet in place of a face blooms a large flower a symbol of a new identity striving to grow beyond pain and old definitions. *The rays of light emerging from the heart of the flower symbolize the inner voice finding its way back, and the possibility of seeing oneself anew. The chains remain present as part of the past and its memories, but they no longer define the figure. The artwork speaks of the moment when one can finally say: This was part of my story, but it is no longer who I am. *
Quantity
HODAYA AVITON
I create in a deeply intuitive way. My artworks begin with something that happens within me a feeling, a thought, a question, or a personal experience. From there, they move outward and meet the world. It is precisely the encounter between my inner world and the external world and sometimes the tension between the two that inspires my work. From this space emerge questions that continuously occupy me: Who are we? What do we believe in? Where do we belong? And how do love, identity, religion, and faith shape the way we see ourselves and the world around us? My creative process is long and multi-layered. It begins with traditional materials, where I create a pencil drawing. I then photograph the work, digitally paint and edit it using professional software, integrate AI as part of the creative process, refine it through further digital editing, and finally produce a high-quality print. Some works are completed with hand-applied markers and paint, adding additional shading, texture, and depth, making each piece unique. I do not always know where a work will lead me. Sometimes I begin with one emotion and discover something entirely different by the end of the process. Perhaps that is why, for me, every artwork becomes a gateway to a world I have not yet discovered.
I create in a deeply intuitive way. My artworks begin with something that happens within me a feeling, a thought, a question, or a personal experience. From there, they move outward and meet the world. It is precisely the encounter between my inner world and the external world and sometimes the tension between the two that inspires my work. From this space emerge questions that continuously occupy me: Who are we? What do we believe in? Where do we belong? And how do love, identity, religion, and faith shape the way we see ourselves and the world around us? My creative process is long and multi-layered. It begins with traditional materials, where I create a pencil drawing. I then photograph the work, digitally paint and edit it using professional software, integrate AI as part of the creative process, refine it through further digital editing, and finally produce a high-quality print. Some works are completed with hand-applied markers and paint, adding additional shading, texture, and depth, making each piece unique. I do not always know where a work will lead me. Sometimes I begin with one emotion and discover something entirely different by the end of the process. Perhaps that is why, for me, every artwork becomes a gateway to a world I have not yet discovered.
